I'd put it somewhere in some folder folder folder folder an editorial shot by Solve Sundsbo then as you can well understand that remained where I had put them never again to return to the light, forget it. But when I saw this new editorial immediately I'm reminded that it is not the first time that this photographer caught my attention. But first things first because as usual I end up something to try to find 50 more inexplicably linked but then even so-between them. The editorial appeared in the number of SS 11 Vogue China as you can imagine if you read this and this post struck me the drama of the clothes that seem to go through a "everlasting soul" - Title dell'editorliale-like smoke that materilizza in beautiful clothes and then decompose and recompose on each page. Certainly the idea of \u200b\u200ba soul as a kind of smoke will not be new but in these photos is highly effective, then it is useless to know that I have a weakness when I see colors fade ...
But we do not lose concentration because the links have yet to begin, in fact, this editorial appears in a beautiful and I think it's appropriate to spend this superlative Edita Vilkeviciute . People like me who is an admirer of classical beauty rather than androgynous models shaggy-haired, wide-eyed or teeth with the Frejus tunnel in the middle, Edita agree with me that would be a worthy successor of Natasha Poly. But rumors aside, all this to say that Edita appears in another editorial in its time had impressed me. I'm pral of October 2010 and appears on numerous Champ de mars. In addition to the photo that appears to defy Edit la Tour Eiffel, which speaks for itself, I find it really impact the styling of the whole piece.
And here what I find you? What has been done by Franck Benahmou , which is the same stylist that I mentioned at the beginning of the service that saved somewhere on my computer. Always appeared on the number, weight is one of my favorite editorials of recent times-and deliberately does not quantify because frankly I would not be able. " The strong background that contrasts with the rich colors and precious clothes and accessories together to create a strong and very desirable. But to finish the circle who is the photographer of this editorial? Solve Sundsbo .
And with this I would say that the circle is closed with dignity. But from everything I'm around to ride what I hear? Nothing, except that maybe I found my photographer, stylist and model of the moment. How long? Who knows?
(photo: models.com)
Also this' year the red carpet was rolled up and re-put mothballs in the attic so ready for the next year, but the look sported by the stars are still dividing the likings of those who loved them and found them inappropriate, so maybe it is time to put some 'order and perform an operation almost categorize the scientific outfits.
The first category consists of the "mimetic .
Here there is clearly a hand of Canalis, in fact she was just a year last to have raised a total look red Roberto Cavalli allowing her to blend between the carpet and set design, and apparently this year the sample was taken from several overseas stars.
Apparently when they got caught red carpet at the air must have found a Valentino Cotura 2002 and then why not wear the beautiful Anne Hathaway , who made his arrival with Monsieur Garavani probably too removed from mothballs and probably too eager to blend in with the scene having regard to its plain face. Among the many beautiful vintage Valentino, not particularly like this model that the rich times and embossing of fabric looks a bit 'ingoffare Anne.
But there is also continuing in the category Sandra Bullock that collects hair and proposes a Vera Wang by the neck twice, and if it was not enough with matching carpet adds clutch and red lipstick. A place.
socket by an uncontrollable desire to wear something red, Penelope Cruz tries L ' Scott Wren glittering zebra that with the glitter of sequins, a bit 'as anti-fog lights flashing, they understand where you are heading.
Francisco Costa thought of designing specifically for Jennifer Lawrence the dress, but what color was chosen? Red. However, the beautiful actress in my opinion is what brings better color due to the clear color of his hair and complexion, the dress with a neckline fluid and measured the cleavage is able to enhance its forms.
The second category consists of those " Abundo Melius quam in deficit" .
If the Latin proverb is suitable for use in many situations, they would use the same generosity when it comes to red carpets.
category heads a train of feathers degradè Gucci of Hilary Swank , but with so much high-impact trawling effect guinea walking is just around the corner.
Halle Berry wears very well a valuable Marchesa encrusted crystals, the color gives it the shape and the values \u200b\u200bbut because those meters of tulle rolls? I find that the train in this dress does not make much sense, on the contrary the older, perhaps it would be better off without.
Regarding Gwyneth , the only solution I can find is that they have had some line fever ... yes, the Gold Rush. In fact, not content to be in a golden Calvin Klein so why not add a gold brooch in life? It seems a bit 'like when you offer something new and want to put all costs, because the pin Luis Vuitton threw them so it adds nothing to the dress that would be among other very nice.
third and final category: "Driving over time. "
At some point something must have happened paranorale or similar, because it seems to be a door open time-space and are blown off clothes of other times, or maybe it was a sort of parade caption for the history of fashion?
Helena Bonham Carter, Tim Burton's wife, Marie Antoinette looks like a punk in the period. It's fine for a husband so we can not expect much different, but perhaps a distinction between costumes and red carpet could benefit.
Florence Welch , perhaps we need instead to recount the pomp of a nineteenth-century Valentino Couture I'm not convinced, and his face a bit 'dejected perhaps not even convince her. The color is certainly not easy, but if I'd never wear a dress which she would not choose someone, just 24 years so tanned earns 240 and then maybe we get closer to 800. Is this the reason?
Marisa Tomei teaches us a great thing: the vintage is not always a ' excellent choice! A dress of the '50s Lily boutique et Cle that I challenge anyone to bring quell'estrusione oblique tulle. That his example will serve to posterity.
But after such a catalog, there is some gem that remains. You Michelle Williams which carries a very elegant Chanel Couture second skin and embroidered with pearls. It is, perhaps his hair cut to give that extra dress and she is certainly an example of how to bring a dress casually Haute Coutre. One of the few also have not had the urge to jump on any accessory shimmer on her, giving more value to itself, and the result is seen!
